Literature is like pornography: no one can tell you what it is, but they know it when they see it. Such is the underlying assumption behind this cry for help from Arthur Krystal in the New Yorker, which allows him, among many other logically-suspect things, to claim unto literature’s greedy penumbra several works which are clearly speculative (that is, genre) fiction. It allows him to say that works like Cormac McCarthy’s The Road are simply a literary sensibility working with genre, and not in it, as if some aesthetic prophylaxis were involved, allowing said literary giant to wade into the post-apocalyptic pool and take a swim without getting any of it in his hair.
What is the nature of the distinction? I’ll let Krystal answer for himself. Continue reading “What I Like is Better Than What You Like, or It’s Not Genre if Literary Writers Do It”
