My Mother’s Funeral

It’s November 1st, All Saints’ Day and the anniversary of my mother’s funeral.  I originally wrote this about three weeks after the fact, and every year on this day I like to repost it, both to honor her memory, and because something happened that day that was truly, genuinely magical.  At least for me it was:

There’s much in this world that’s savage and horrifying, that will break your heart and confound your understanding and shake your faith in the justice and beauty and rightness of things. But there is also magic and wonder and days when the sun bursts through the clouds and suddenly the grey is silver and the silver becomes gold as the gathered clouds are scattered and flee beyond the horizon. Days when levity overcomes gravity’s ineluctable pull and loads are lightened for reasons the conscious mind isn’t really equipped to understand or make sense of.

I had such an experience recently, and I would like to tell you about it, if for no other reason than because it happened and I can’t tell you why, though it may very well have saved my spirit and soul from the muck they were mired in. It was, perhaps, just a coincidence, something that just happened. Something for which there is and was a perfectly logical, rational explanation, that I’m making more of than is really there to be made.

The possibility is very real that that is the case and that I’m just grasping at straws for my own (understandable) reasons. I’ll let you decide what to make of it for yourself. Here is what happened: Continue reading “My Mother’s Funeral”

What I Like is Better Than What You Like, or It’s Not Genre if Literary Writers Do It

Literature is like pornography: no one can tell you what it is, but they know it when they see it.  Such is the underlying assumption behind this cry for help from Arthur Krystal in the New Yorker, which allows him, among many other logically-suspect things, to claim unto literature’s greedy penumbra several works which are clearly speculative (that is, genre) fiction.  It allows him to say that works like Cormac McCarthy’s The Road are simply a literary sensibility working with genre, and not in it, as if some aesthetic prophylaxis were involved, allowing said literary giant to wade into the post-apocalyptic pool and take a swim without getting any of it in his hair.

What is the nature of the distinction?  I’ll let Krystal answer for himself. Continue reading “What I Like is Better Than What You Like, or It’s Not Genre if Literary Writers Do It”

The Deep and Occasionally Problematic Significance of Stuff and Things

I’m not a hoarder, but I know why hoarders hoard.

I’ve been thinking about this for a while now, not so much in the sense that I sit around evenings sipping brown liquor and stroking my beard whilst ruminating on the philosophical implications of human relations with the objects in our lives, but in the back of my head, behind the magic curtain where the mystery machine churns away and occasionally pops out with a thought or an idea for a story or some other artifact of inspiration.  And now that I’m moving again, and, more importantly, trying to empty out the storage space I’ve been renting since the last time I really felt like I had a home, the subject has come, once again, if not to then at least near the forefront of my consciousness.

The problem I’ve discovered in the process of personalizing and occupying my new digs is this:  I have way too much stuff.  I know, I know, first-world problems, etc, just make a couple of Goodwill runs, maybe run some craigslist ads and/or eBay auctions, problem solved.  From a perspective outside my own lived subjectivity, the problem has an easy solution.

The problem with that is that I don’t live outside my own subjectivity.

Continue reading “The Deep and Occasionally Problematic Significance of Stuff and Things”

The Funny Thing About Preconceptions

So, about a week ago I met this guy, a friend of a guy I play soccer with, who came out to have a couple of beers with us after our game.  He smelled strongly of gasoline, because he had ridden his motorcycle to the bar, and the bike had a gas leak, or maybe just a really rich mixture, and the unburnt gas had soaked into his blue jeans.  The reason he had ridden the bike with the gas leak to the bar was because he’d had an accident in his van not long ago, and couldn’t drive it.  After drinking about half of his giant mug of beer, he started telling the story.

The story itself wasn’t all that interesting: he’d rear-ended somebody who’d come to a (according to him) sudden stop one night.  What was interesting was how utterly flabbergasted he was about the nature of the damage to his van.

He was sure the car he’d hit must have had a trailer hitch or something, because the front of his van, instead of crumpling uniformly along the axis of impact, had instead crumpled only in the middle, as if there had been a single point of impact, which made a triangular indentation in the middle.  He kept saying, over and over, how he didn’t understand what had happened, and he kept clapping his hands together to demonstrate the nature of the collision. Continue reading “The Funny Thing About Preconceptions”

A Look at the Machinery Behind the Curtain

Sometimes I sleep very soundly, and though I dream, the dreams have faded to wisps by the time I have risen close enough to consciousness to apprehend them.  Other times I dream closer to the surface, and though it’s not quite that awesome lucid dreaming experience where you can make yourself fly or cause a tiger, I am able to dream my dreams in a sort of close third-person POV.  What I mean by this is that I experience them as something outside myself while having some insight into what’s happening and why.  Sometimes these dreams are about writing.

I had one of those last night. Continue reading “A Look at the Machinery Behind the Curtain”